Author Archives: brooke

About brooke

Hi! I'm Brooke, and I'm an author. I love writing; I always have, and I love anything that has to do with words and poems and reading. I also like to sing, act, swim, and laugh (a lot.)

Brooke Reviews: Cinder by Marissa Meyer

Cinder (Lunar Chronicles, #1)Cinder by Marissa Meyer

Something drew me to this book. (The cover art, maybe??) I really, really, really wanted to like it, and it did not disappoint!

First of all, I love that it’s a modern retelling of Cinderella. Cinder, a renowned mechanic in New Beijing, lives with her stepmother and two stepsisters. Her stepmother hates her, because Cinder is a cyborg, considered to be a lesser member of society. After she was involved in an accident as a child, she was given mechanical limbs to replace the ones she lost.

But everything is about to change for Cinder, because Prince Kai needs her help, and her younger stepsister has been diagnosed with the plague letumosis. On top of it all, Cinder’s stepmother is determined to get rid of her by volunteering her for plague research.

This book has a bit of everything, including romance, intrigue, action, and super-cool futuristic technology. Earth may or may not be on the brink of war with Luna (the moon). The prince is secretly searching for a Lunar princess who may or may not be dead. An evil queen has mind-control powers.

The characters were unique and interesting. Cinder is brave, caring, and resourceful. I rooted for her from page 1.

I finished this book quickly, and now I’m disappointed because I wish I were still caught up in Cinder’s world. I think part of the reason I found this book so engaging was because author Marissa Meyer spared Cinder nothing. The tension and the stakes mounted throughout the book, which held my attention and kept me turning pages. The end left Cinder in a very dangerous place, and I can’t wait to get my hands on the remaining books of this series.

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Have you read this book? What are your thoughts?

Authors have regrets, too

jk-rowling-073112I’m sure you’ve heard.

J.K. Rowling, author of the popular (huge understatement?) Harry Potter series, regrets Hermione Granger and Ron Weasley’s relationship. This news has caused much controversy, especially because she has chosen to admit this now, several years after the completion of the series.

What do I think? Hermione and Ron belonged together. And, regardless of what Rowling may think, I believe their relationship was believable and entirely authentic. Rowling said, “I wrote the Hermione/Ron relationship as a form of wish fulfillment.”

(What does that even MEAN?)

ht_ron_hermione_10118_mainShe continued, “That’s how it was conceived, really. For reasons that have very little to do with literature and far more to do with me clinging to the plot as I first imagined it, Hermione ended up with Ron.”

If she’s implying Hermione/Ron just didn’t make sense, or weren’t exactly compatible, I think many people would agree on some level. However, that’s exactly why their relationship was so beautiful.

Though Rowling describes her decision to pair the two characters as “wish fulfillment,” I think there is something to be said for going with your gut. Though she wasn’t entirely convinced Hermione and Ron made the perfect couple, something stopped her from pairing Hermione with the somewhat obvious mate (Harry). Sometimes you have to ignore your head and go with your heart.

Harry-and-Hermione-Wallpaper-harry-and-hermione-26304105-1280-800

I’m not angry or disillusioned with Rowling. She remains my favorite author. In my opinion, her regrets make her more human. She looks back at her work and isn’t entirely satisfied, because she notices something she wishes she had done differently. As do many of us. We are often our worst critics.

So I admire her for her honesty.

What are your thoughts? Hermione/Ron? Hermione/Harry? 

 

Interview with Elizabeth Stuckey-French

esf-photoMeet Elizabeth Stuckey-French, author and professor at Florida State University. She is the author of The Revenge of the Radioactive Lady and Mermaids on the Moon, and co-author (with Janet Burroway and Ned Stuckey-French) of Writing Fiction: A Guide to the Narrative Craft. I’ve recently had the privilege of meeting both Elizabeth Stuckey-French and husband Ned, (check out my interview with Ned!) who gave me such great advice about writing and college. Find out more by visiting her website.

Are you a fan of sharing what you’ve written during the “early stages,” and asking for advice? If so, who has the privilege of reading your first drafts?

Ned reads drafts of everything I write, and I do the same for him. He’s my best reader. I think it’s crucial for writers to have trusted readers to show their work to, because there many things you just can’t see about your own work, especially in the early drafts. Of course, what I really want when I show him something is to be told that what I’ve just written is amazing! Brilliant! The best thing I’ve ever written! But after some (inadequate) praise, he will get down to asking questions about the draft and pointing out problems. I don’t want to hear it then, but after awhile I always realize he’s right and pull up my bootstraps and get to work. (What are bootstraps, anyway?) After he reads a draft, I have a few other trusted writer/reader friends I’ll show things to before I send to my agent, who will also give me some advice. Sometime takes awhile to find just the right people to help you, and it’s good if you can read their work in return. If someone reads your work and tells you things that make you want to never write another word, that person isn’t a good reader for you.

What are the two most important traits writers can possess, and why?

Patience and Perseverance. Because most people just give up when they realize how frustrating and challenging the whole process is. Many people have writing talent, but most of those people aren’t compelled or compulsive or thick-skinned enough to keep going. Which is fine. Only keep doing it if you can’t not do it.

What is the one piece of advice you wish you had been given when you began writing?

It takes time, and lots of it, to get something into publishable form. It always take much longer than you think it will. Patience and perseverance.

How do you believe writers should connect with their local writing community? Why/why not is this beneficial?

Writers need each other. Join a writing group or start one! Writing itself is a lonely activity, but we can support each other’s work, pass on advice, etc, and make it feel less so. A writing community–either on-line or in person–is essential. I always tell students that they aren’t competing with other writers, although it can often feel that way. The only person they are competing against is the part of themselves that is lazy, careless, and just wants to do what’s easiest.

What do you believe is the greatest myth about succeeding in the writing/publishing world?

That once you’re a published writer everything is smooth sailing. Not true. It’s always a struggle. You always doubt yourself and wonder if you’ll measure up. And the publishing industry is simply a business, and a fickle business at that. A friend of mine won Pulitzer Prize and his next novel was turned down by a number of publishers before it was accepted. You can’t count on anything, so enjoy the process of writing, when you have your own little world to disappear into. That’s the only really satisfying part of the whole process.

What do you enjoy most about being a professor?

I have had some amazing students, many of whom have gone on to publish books. It’s always so exciting to work with students who are in love with writing and watching their progress. And I feel so lucky that I get to go into a class and talk about what I love most in the world. How great is that?

 

*Thanks so much, Elizabeth!

Interview with Ned Stuckey-French

Ned-Stuckey-French1-230x345Meet Ned Stuckey-French, essayist and professor at Florida State University in Tallahassee, Florida. He is the author of The American Essay in the American Century, co-editor (with Carl Klaus) of Essayists on the Essay: Four Centuries of Commentary, and coauthor (with Janet Burroway and Elizabeth Stuckey-French) of Writing Fiction: A Guide to Narrative Craft. I’ve recently had the privilege of meeting with Stuckey-French, to discuss writing and college among other things. Find out more by visiting his website.

Are you a fan of sharing what you’ve written during the “early stages,” and asking for advice? If so, who has the privilege of reading your first drafts?

Absolutely. I’ve been in many writing groups over the years, sometimes just with fellow essayists, sometimes with people working in different genres. I like them because they force some deadlines and accountability on me, give me a place to hear my work through the ears of other readers, provide some camaraderie and breaks from the isolation of writing, and help me figure out what my piece is really about. I’m not in a writing group now but share drafts (later drafts, I suppose) with Elizabeth or editors.

What are the two most important traits writers can possess, and why?

Honesty (which, I suppose, sometimes goes under the name of bravery, objectivity, or ruthlessness as far as one’s relationship with one’s writing) and perseverance because so much of writing is revising.

What is the one piece of advice you wish you had been given when you began writing?

Don’t be in a hurry. Be ready and willing to revise. And, of course, read, read, and read some more.

How do you believe writers should connect with their local writing community? Why/why not is this beneficial?

Absolutely. We need to support each other, be professional, and develop the institutions that support writing (e.g., magazines, reading series, book festivals, book blogs, independent bookstores, writing groups and programs, small and independent publishers, etc.). Anything else is selfish and self-defeating, I think.

What do you believe is the greatest myth about succeeding in the writing/publishing world?

That most or even many writers make a living as writers. Most have day jobs, often as teachers.

What do you believe is the most important thing you’re able to teach your students?

Again, that writing takes time and revision. I think it takes five, six, seven, maybe eleven drafts before you really know what your piece is about.

Brooke Reviews: Champion by Marie Lu

Champion (Legend, #3)Champion by Marie Lu

Champion, the conclusion to the Legend trilogy by Marie Lu, marks the end of Day and June’s story.

The conflict between the Republic and the Colonies comes to a head, and Day and June must decide if fighting for the country which has caused them so much pain is worth it. Though the Republic is beginning to adjust to a new Elector, it is still difficult for Day and June to forget the deaths of their loved ones and the political corruption.

Day is dying. June is chafing under her new responsibilities as a Princeps-Elect. And then, the tentative peace treaty between the Republic and the Colonies is destroyed with the breakout of plague. Unless the Republic is able to offer the Colonies a cure, war is imminent.

I enjoyed the book overall. Unfortunately, I didn’t find it to be as compelling as the first two books in the trilogy. The book wasn’t as fast paced or action packed. Day and June’s relationship wasn’t as developed as I’d hoped it would be.

I did enjoy reading from both Day and June’s perspectives. I could easily distinguish between their perspectives, as Marie Lu does a fantastic job giving both characters a unique voice.

The ending was both somewhat predictable and somewhat surprising.

I think readers will be satisfied with this concluding book, and I look forward to reading more from Marie Lu.

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Have you read this book? Let me know what you thought!

Steer clear of stale themes

Round stamp with text: OriginalI read so many YA novels with similar themes. It’s refreshing when one of these novels gives some sort of new spin on an overused idea, but even then I wonder why we all share so many of the same convictions when we are all so different.

I just find it hard to believe we share the same opinions and outlooks.

So why don’t we challenge these convictions?

Some of these traditional themes include sacrifice, forbidden love, freedom from control, and choice. And while these are all great themes, I just think it’s time to break new ground.

Novels have multiple themes, but typically there is an overarching ideal which the author may/may not have intentionally written into the story. (More often than not, it’s intentional. To the reader, however, it is so seamlessly woven into the story it seems as though it could only be natural.) So while some of these more typical themes may emerge in your story, take a step back and think about what you’re really trying to tell your audience.

What is your overarching ideal?

Ask yourself what you believe in. Create a list of your core morals and values. Seriously, take a look at your life and make note of the choices and decisions you’ve made and the reasoning behind them. What questions do you need answered? What bothers you? What do you wish was different?

The best books give me something to think about for days, weeks, even months after I’ve read the last word.

Ex)  Divergent by Veronica Roth

I could discuss this book for hours. Nobody should be defined by one trait, one label. And yet, we stereotype and label others every single day.

I have yet to write a compelling novel such as Divergent. I hope, someday, I will. Until then, I look forward to developing my own opinions, ideas, beliefs, and observations about the world around me. We are all original, and our writing should reflect that.

Under Construction

If you haven’t already noticed, the blog has been given a new look!

It’s under construction, which means I haven’t quite gotten everything organized yet. Hopefully everything will be back in it’s rightful place and easy to navigate later this week.

I really like the new theme, and I hope you do as well! Out with the old, in with the new. Let me know what you think. 🙂

On Thursday, I’ll be back with a new post.

 

Thanks,

Brooke H.

TCWT Blog Chain: The Queen(s) of Crime

If you could co-write a book with one author–living or not–who would it be and what would the book be about?

 

5293-agatha-christie (1)Definitely a difficult prompt, because I admire so many talented authors and I’m sure they’d all be fun to collaborate with. This, however, is where my insecurity as a writer kicks in, because I begin to wonder how I could ever measure up.

Though it was tough to choose, I decided I’d like to co-write a book with Agatha Christie. (And I’m not the first to have chosen the Queen of Crime! Check out Nevillegirl’s post, too.)

Christie was brilliant. Her murder mysteries are nearly impossible to figure out. And her detectives, Hercule Poirot and Miss Marple, are completely original. (I’ve made it a goal to read every Poirot mystery there is. I’m almost finished.)

It would be so fascinating to get inside Christie’s head, to observe her process and to know the solution to the mystery!

We’d write a murder mystery together, maybe something like And Then There Were None or Murder on the Orient Express. The former takes place on an isolated island, and so the reader knows the murderer must be one of the characters trapped there.

Likewise, Murder on the Orient Express takes place on a train stranded in a snowdrift. Again, the murderer must be one of the passengers. At times, it seems as if everyone must be innocent. At other times, it seems as though everyone were guilty.

I believe it would be such an honor to work with the late Agatha Christie.

Have you read any of Christie’s novels?

blog chain picBe sure to check out the other participating blogs!

5th – thescribblingbook.wordpress.com/

6th – http://thelittleenginethatcouldnt.wordpress.com/

7th – http://miriamjoywrites.wordpress.com/

8th – http://www.oyeahwrite.wordpress.com/

9th – http://musingsfromnevillesnavel.wordpress.com/

10th – [Andrea. No link for her yet.]

11th – http://randomofalife.blogspot.com/

12th – http://www.lilyjenness.blogspot.com/

13th – http://maralaurey.wordpress.com/

14th – http://insideliamsbrain.wordpress.com/

15th – http://unikkelyfe.wordpress.com/

16th – http://www.brookeharrison.com/

17th – nasrielsfanfics.wordpress.com

18th – http://teenscanwritetoo.wordpress.com/ (We’ll be announcing the topic for next month’s chain.)

Don’t let your dream slip away

tumblr_lyxu2dwqxH1r0ezqso1_500Occasionally I’ll go to bed with my novel on my mind.

I close my eyes and picture a scene, and am suddenly swept up into the story. (I’m tired, and I know I’m drifting, but I desperately try to hang on because I know I’ve got something good.) I can’t keep track of dialogue, or even what’s happening, because unfortunately I’m beginning to fall asleep.

And I wake up the next morning and can’t remember a thing.

I’m sure you can relate to this. You know your dream gave you the next big idea – the idea that will make you a multi-billionaire author – but it’s all fuzzy. In fact, the only thing you can remember is the excitement of having a really great idea.

It was handed to you on a silver platter, in the form of an extremely vivid dream, and you’ve forgotten it.

You’d think I’d learn, wouldn’t you?

This has happened to me so many times now, and I’ve finally decided to do something about it. So here are my tips for capturing the million dollar idea:

  • BEFORE you go to sleep, list (on paper) the scenes you’d like to dream about. Your dreams should serve you (NOT the other way round).
  • Keep a small notebook and pencil beside your bed. Even if you’re about to go under, jot down a quick key idea or phrase that could jog your memory in the morning.

Hope this helps!

 

Brooke Reviews: Writing the Breakout Novel

Writing the Breakout NovelWriting the Breakout Novel by Donald Maass

A practical, in-your-face guide to writing the “breakout novel.” According to Maass, a “breakout” refers to “any upward movement in sales and in attention paid to a novelist by publishers, bookstores, the press and the public.”

Every author hopes to be a breakout novelist. Breakout novels “leave a lasting impression.” A breakout novel makes all the difference between writing as a hobby and writing as a career.

What I love about Maass’ book is his complete honesty. He dispels myths regarding writing and the publishing industry. If my novel doesn’t “break out,” it is nobody’s fault but my own. And that is a scary thought.

But Maass goes on to offer his advice about what it takes to write a novel of breakout scale. It takes nothing less than plain old hard work. Which, in my opinion, is sort of relieving. It means we’ve all got a chance. Equal opportunity.

There is no cookie-cutter formula for writing the breakout novel. Novels of every genre break out. Breakout novels are written by authors of very different backgrounds, personalities, and varying ages.

This book is encouraging and motivational. The excerpts taken from breakout novels serve as helpful examples which illustrate Maass’ point.

The lasting impression Maass left me with is this: a breakout novel is richer, deeper. The author dives beneath the surface.

“Delight your readers with your own brand of story, then continue to delight them in a similar way (only better) on a regular basis. That is the way to build an audience. It is the only way to become a brand name author.”

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